In “Dead Reckoning: The Waterways of Turner and Canaletto,” I examine views of Venice from the perspective of J.M.W. Turner and Canaletto. This essay posits these painters as a middle ground between the allegorical works of Jan Brueghel the Younger and the Impressionists, yielding their own unique horizons. As Anne Carson says, “Kinds of water drown us. Kinds
