In “Dead Reckoning: The Waterways of Turner and Canaletto,” I examine views of Venice from the perspective of J.M.W. Turner and Canaletto. This essay posits these painters as a middle ground between the allegorical works of Jan Brueghel the Younger and the Impressionists, yielding their own unique horizons. As Anne Carson says, “Kinds of water drown us. Kinds of water do not.
Dead Reckoning: The Waterways of Turner and Canaletto
Related Posts
Exhibition Pick: Michael Meads
In my exhibition pick on artist Michael Meads, I examine his vision of New Orleans: a world of sex, death,
Tactile Fixation: An Interview with Aubrey Longley-Cook
In Tactile Fixation: An Interview with Aubrey Longley-Cook, I speak about humor, drag, and stitching with an Atlanta-based artist and
On Flatness and the Faerie Realm: Andrea Dezsö at Newcomb Art Museum
In “On Flatness and the Faerie Realm: Andrea Dezsö at Newcomb Art Museum,” I investigate the Transylvanian artist’s interpretation of the