In “Dead Reckoning: The Waterways of Turner and Canaletto,” I examine views of Venice from the perspective of J.M.W. Turner and Canaletto. This essay posits these painters as a middle ground between the allegorical works of Jan Brueghel the Younger and the Impressionists, yielding their own unique horizons. As Anne Carson says, “Kinds of water drown us. Kinds of water do not.
Dead Reckoning: The Waterways of Turner and Canaletto
Related Posts
On Circles: A Bildungsroman
In “On Circles: A Bildungsroman,” I travel to the Palazzo Doria Pamphilj in Rome on a circuitous yet fruitful journey—a
On Light, Falling: Virginia Woolf, Joaquín Sorolla, and Sally Mann
In “On Light, Falling: Virginia Woolf, Joaquín Sorolla, and Sally Mann,” I look (fondly, reminiscent) at the role of late summer
On Conflagration: The Masks of Natalie Portman
In “On Conflagration: The Masks of Natalie Portman,” I compare Portman’s gratitude for a deleted history of emails to the