In “Dead Reckoning: The Waterways of Turner and Canaletto,” I examine views of Venice from the perspective of J.M.W. Turner and Canaletto. This essay posits these painters as a middle ground between the allegorical works of Jan Brueghel the Younger and the Impressionists, yielding their own unique horizons. As Anne Carson says, “Kinds of water drown us. Kinds of water do not.
Dead Reckoning: The Waterways of Turner and Canaletto
Related Posts
On Light, Falling: Virginia Woolf, Joaquín Sorolla, and Sally Mann
In “On Light, Falling: Virginia Woolf, Joaquín Sorolla, and Sally Mann,” I look (fondly, reminiscent) at the role of late summer
A Partial Guide to Camp: Tennessee Williams’ “The Mutilated”
In “A Partial Guide to Camp: Tennessee Williams’ ‘The Mutilated,'” I explore director Cosmic Chivu’s vision of the play, Mink Stole, Camp
A Partial Guide to Camp: On The Eyes Of The Beholder
In “A Partial Guide to Camp: On The Eyes Of The Beholder,” I continue my exploration of the Camp pleasures