Excerpt:
“Rorison has trained her eye on the urban landscape with particular attention to lines—cables, pipes, cement cracks, grids of brick, chain link fences, alleyways, telephone poles, and of course row homes. Are we hearing the rolling, mechanical breath of the light rail or a meditative sound bath? Voices yelling or playing? The film denies easy binaries and asks the viewer to hold space for both. That an empty building might hold our full attention.”
This strained, surreal, tragic-yet-impassioned relationship with love thematically underscores much of the work in Toor’s show, which focuses on how
The city-wide triennial features site-specific work responding to New Orleans, the American South and, often as a result, issues of
What does it mean to open up abandoned space for artistic use? Baltimore artist TLaloC explores world-building on a massive