Excerpt:
“Rorison has trained her eye on the urban landscape with particular attention to lines—cables, pipes, cement cracks, grids of brick, chain link fences, alleyways, telephone poles, and of course row homes. Are we hearing the rolling, mechanical breath of the light rail or a meditative sound bath? Voices yelling or playing? The film denies easy binaries and asks the viewer to hold space for both. That an empty building might hold our full attention.”
