In “On Flatness and the Faerie Realm: Andrea Dezsö at Newcomb Art Museum,” I investigate the Transylvanian artist’s interpretation of the Brothers Grimm and other tales in her exhibition at Tulane University. This essay considers fairy-stories and folktales, tunnel books, the medium of cut paper, Max Lüthi and depthlessness, Kara Walker, 16th-century English masques, Mardi Gras float designs, “The Frog King,” the nature of metaphor, landscapes, and the spaces in-between.
On Flatness and the Faerie Realm: Andrea Dezsö at Newcomb Art Museum
Related Posts
A Partial Guide to Camp: Tennessee Williams’ “The Mutilated”
In “A Partial Guide to Camp: Tennessee Williams’ ‘The Mutilated,'” I explore director Cosmic Chivu’s vision of the play, Mink Stole, Camp
On Conflagration: The Masks of Natalie Portman
In “On Conflagration: The Masks of Natalie Portman,” I compare Portman’s gratitude for a deleted history of emails to the
Occam’s Razor: Tennessee Williams at the Ogden Museum of Southern Art
Occam’s Razor: Tennessee Williams at the Ogden Museum of Southern Art explores the relationship of Tennessee Williams to body hair,