In my exhibition pick on artist Michael Meads, I examine his vision of New Orleans: a world of sex, death, and religion. This small piece focuses on his large-scale pencil and charcoal drawings that depict both a seedy rawness and the intimacy of strangers in places that facilitate debauchery. The spectacle of a modern, queer pietà. In other words: is this what it means to party? And where can we find our salvation?
Exhibition Pick: Michael Meads
Related Posts
A Partial Guide to Camp: Tennessee Williams’ “The Mutilated”
In “A Partial Guide to Camp: Tennessee Williams’ ‘The Mutilated,'” I explore director Cosmic Chivu’s vision of the play, Mink Stole, Camp
The Bias: Toward Fashion
In “The Bias: Toward Fashion,” I investigate the fashion of Yves Saint Laurent, Halston, and how fashion can—at the highest level—function
What Remains: Les Schmidt at Guy Lyman Fine Art
In “What Remains: Les Schmidt at Guy Lyman Fine Art,” I take a look at the photographer’s flower-portraits while thinking