In my exhibition pick on artist Michael Meads, I examine his vision of New Orleans: a world of sex, death, and religion. This small piece focuses on his large-scale pencil and charcoal drawings that depict both a seedy rawness and the intimacy of strangers in places that facilitate debauchery. The spectacle of a modern, queer pietà. In other words: is this what it means to party? And where can we find our salvation?
Exhibition Pick: Michael Meads
Related Posts
Occam’s Razor: Tennessee Williams at the Ogden Museum of Southern Art
Occam’s Razor: Tennessee Williams at the Ogden Museum of Southern Art explores the relationship of Tennessee Williams to body hair,
On Jealousy: Call (Me) Your Boyfriend
On Jealousy: Call (Me) Your Boyfriend takes a closer look at the New Orleans female rap artist Boyfriend, her recent
On Circles: A Bildungsroman
In “On Circles: A Bildungsroman,” I travel to the Palazzo Doria Pamphilj in Rome on a circuitous yet fruitful journey—a