Excerpt:
“Placing Owens’ abstracts in the context of redaction seems to highlight the inherent juxtaposition of Skully: a childhood game played in West Baltimore and, now, an exhibition in a new, crisp gallery space in Bolton Hill. Some elements of the artist’s past are carried over and visible; others, I’m sure, remain blocked out, obscured. A redaction, however, does not negate that there is something to glean here. And for some, redactions spark intrigue.”
The major difference between visiting Glenstone’s grounds and hiking in a natural environment like the Blue Ridge Mountains is that
I mistook a handbag as a sculpture during my first visit to Linda Campbell Franklin’s home in Bolton Hill. Though
The city-wide triennial features site-specific work responding to New Orleans, the American South and, often as a result, issues of